Canon EOS 5D Mark III 22.3 MP Full Frame CMOS with 1080p Full-HD Video Mode Digital SLR Camera
Canon's Mark iii has just been released by Canon in March 2012 and people are obviously wondering what improvements this DSLR has over its predecessor the potential ii. Well the very first thing you'll notice is that the expense of the Mark iii body includes a steep 30% increase at 3499$ compared to the 2499$ of the Mark ii. We aren't really comparing the 2 cameras to find a winner. It's obvious the objective iii has every one of the Mark ii features and many improvements. The question we are asking, is it worth the extra cash? Here we'll have a look at this exciting new camera.
SENSOR
canon eos 5d mark iii
Let's begin with all the sensor. Still a CMOS sensor, still 36x24 full frame. However the Mark iii has 22.3MP vs the 21.1MP of the predecessor. A bit more than an additional megapixel for your Mark iii. Yes, your pictures may have more detail but nobody is ever going to notice. The potential ii features a DIGIC4 processor nevertheless the Mark iii boasts a DIGIC5+ processor which Canon claims is 17 times faster. In practical examples this basically means that your camera could be more efficient. It'll process the info faster, it'll shoot fast and will also be faster to obtain the focus. Another feature that probably is possible because of the faster processor is the Mark iii shoots as much as 6fps when compared to 4fps with the Mark ii.
The raised sensor and imaging processor decrease the effect of moiré and aliasing, offers you a better dynamic range and reduces the noise level.
LOW LIGHT SHOOTING
Improved ISO range and performance in low light is most likely one of the most exciting top features of the objective iii. Set up Mark ii was decent in low light, once you shot at the top ISO of 6400 you were really pushing your camera to the limits. The very best ISO of the Mark iii is 25600 and according to various tests, it is better in low light by two stops when compared to Mark ii. So, if you were struggling at 6400 with all the Mark ii, using the Mark iii the noise is going to be minimal at that ISO level. Probably this can be one of many big selling points for filmmakers.
BUILD, CAMERA BODY AND LAYOUT
The camera body even offers slightly changed with all the Mark iii. It is more rounded also it feels much easier to hold in your hand. For instance where around the Mark ii there was clearly bare plastic, we have now rubber which makes the grip safer. The weather-proofing continues to be improved. The digital camera not only shoots on CF cards but in addition on SD cards and possesses both slots underneath the same hatch. Photographers can use this for backup, shooting and recording on cards, even saving them on different formats. Design is different a bit too. The energy switch is now on top left from the camera, easier to find. The mode dial includes a “lock” function that protects you from accidentally changing the shooting mode. Beside the shutter release button there's a new multi function button this agreement it is possible to assign whatever function you would like. The LCD is another little bigger at 3.2 inches and images are easier to see, specifically in sunlight.
AF SYSTEM
Another exciting feature from the Mark iii is the focusing system. The Mark ii had only a 9 point autofocus system and was among the camera's limitations. The potential iii comes with an astonishing 61 point autofocus system and is particularly capable to discover the focus faster and in all circumstances, even when there is lots of sunshine. It can give attention to a topic and stay with it even when it moves across the frame.
HDR
High Dynamic Range shooting is an exciting new feature with the Mark iii, which is first Canon DSLR to supply in-camera HDR recording. The potential iii is capable of recording three images and merging them to get a high dynamic range image. Your camera will record the 3 shots along with the HDR processed image. You also have the possibility to shoot RAW and JPEG images simultaneously which suggests you will have three RAW files, 3 JPEGS and also the processed image.
CANON 5D MARK III MOVIE MODE
Obviously everybody was expecting Canon to provide uncompressed output with HDSDI or HDMI but Canon failed on this point. However the new 5D features a top quality All-I and IPB interframe compression. Additionally it is capable of shooting slow motion as much as 60fps at 720p. A new built in headphone socket also lets you monitor audio in the more efficient way. An active View/Movie Turn on the trunk (like around the 7D), accelerates movie activation. If with the Mark ii you could only skyrocket to 12 minutes before you were required to press record again, now the maximum clip length is 29 minutes and 59 seconds.
These are the main features and enhancements that will be selling points for DSLR shooters that are considering the upgrade. If you're an indie filmmaker or perhaps a seasoned photographer it's likely that you'll find these improvements worth the extra money. Canon's 5D Mark ii has revolutionized the indie filmmaking world and it has made DSLR video shooting mainstream. The camera, however, had many shortcomings because it wasn't really intended as used as a video camera to shoot films. Canon spent some time working on those shortcomings and it has develop a fantastic new model that, otherwise a casino game changer like it's predecessor, certainly represents an excellent fine tuning that is well worth the extra cash and a new tool for both photographers and video shooters.